Death was just another African-American R&B act from Detroit before the Stooges and the MC5 changed their lives
Chuck D looked at me quizzically, his furrowed brow barely showing beneath the bill of his black Raiders cap. “Sure,” the rapper said as I handed him a yellowed copy of Allen Ginsberg’s Howl. “I’ll read it. Sounds interesting.”
In 2012, I looked back with humor at my life at MTV Networks in the late 1990s. Part of my duties at the music channel was babysitting boybands like *NSYNC and The Backstreet Boys. Kind of.
Lisa Germano was one of the most interesting and adventurous musicians of the 1990s. Today, for some reason, she’s a mere footnote in the history of that era — an unsung heroine.
In 1996, seven years after I wrote my first profile of the late Vic Chesnutt for Option magazine, I flew down to his Athens, Georgia, home to do this full feature for Rolling Stone.
My first Rolling Stone cover story, in 1997, was sort of a Part 2 of an earlier cover story I did on Beck for Option in 1994.
TweetIn 1997, I was invited to a small birthday party for David Bowie at the English restaurant Tea & Sympathy in downtown Manhattan. At the […]
Tweet Last week, my friend Whitney suggested I write an essay on the (Grateful) Dead’s incessant trolling of America in 2015. We’d been talking about […]
TweetOver the past three days, I’ve been asked numerous times how I feel, as a former Rolling Stone editor, about the magazine’s latest cover featuring Boston […]